Thursday, December 20, 2018

Life In Japan: Kobe’s Luminarie



On January 17, 1995 Japan suffered a devastating 6.9 earthquake, which killed over 6,400 people.  It was Japan's worst earthquake in over 80 years.  The vast majority of casualties and damage occurred in Kobe, situated only 20 kilometers (12.4 miles) from the epicenter.

I was in Los Angeles at the time and remember hearing about it, but it was off somewhere to the side on a secondary radar screen.  Since news of tragedies across the globe pour in constantly now, one becomes more and more desensitized as time goes on.  There's always something somewhere going on.  The further away the incident, the more likely it is to be ignored and dismissed, with local shootings, fires, riots, celebrity and political scandals, auto crashes, and other items on the assembly line of misery and human idiocy taking center stage.

The Kobe earthquake was not some far-off and distant event for my wife.  Her family is originally from Kobe and she lost two cousins that fateful morning, when at 5:46 am they were killed in their sleep, as the building they lived in collapsed and crushed them.  They were 12 and 14 years old at the time of this tragic event.


Every year now, since 1995, the city of Kobe holds a commemorative event in December, intended to pay tribute to the thousands of victims, the thousands of responders, doctors, nurses, firemen, police who worked tirelessly for months afterwards, and the thousands of citizens who rebuilt the city over many years.  It's called the Luminarie.  Several blocks of Kobe are cordoned off and people walk through a cathedral of lights which majestically towers over them.  It takes about 40 minutes and ends in a three-sided light sculpture amphitheater, where you can offer prayers and ring a memorial bell.

There are so many dazzling, interesting, spectacular festivals and celebrations going on in Japan each year, it's often overwhelming.  The Luminarie is extremely beautiful but more somber than most.  It was rather haunting how quiet the crowd was approaching the area where the lights were.  Then, as the video below shows, things got extremely noisy.

This is the second time I've seen this astonishing display of artistic ingenuity.  The video doesn't begin to do justice to what a breathtaking experience it is in person.





[ This originated at the author's personal website . . . http://jdrachel.com ]



Life In Japan: Kobe’s Luminarie






Tuesday, December 4, 2018

Life In Japan: Monkeys



Meet some of my neighbors!

Yes, we have monkeys in Japan, right where I live.

There are an estimated 950 in Hyogo Prefecture -- a prefecture is the equivalent of a state and Japan has 47 total -- and 180 of the critters in Sasayama, Hyogo, my hometown.

Not that we see them that often.  But I have seen them.

Once on a bike ride very close to my house, I spotted one in a farmer's field, sitting in the midst of rows of beautiful, ripe vegetables, enjoying his own personal buffet. He was very mature, rather large, not a monkey I'd want to mess with.

Speaking of which, my step-daughter got into her car one morning, and a smaller but extremely upset macaque -- that's the variety we have here, pictured above -- jumped on her hood, issued all sorts of threatening gestures, screeches, and probably even monkey expletives, about some matter none of us have any clue about.  It might have been related to the presence in the house of my step-daughter's black labrador, as monkeys -- at least our local monkeys -- are fascinated with domesticated dogs. The incident ended without any damage to her car, the mirrors and windshield wipers still in place, with the monkey bounding off to its next soapbox to lodge complaints about whatever crises monkeys believe warrant their histrionic objections.
It's not as if we're not trying to coexist with our furry friends.  There's room for all.



There's a park in Kyoto -- the Iwayatama monkey park.  If you're ever in that city, I highly recommend it.  The park is a short walk across the Oi River from Arashiyama, a must-see district with many interesting temples, shrines, stores, a bamboo forest, the site for a number of wonderful festivals.  For about $100, you can get made up head-to-toe as a geisha, something I would love to do, even if it would understandably put my sexuality in serious question among my Western friends.  Here in Japan, they're not so hung up on such matters.  There are many celebrities, some of whom regularly appear on television, who are either transvestites or transexuals.



Anyway, getting back to the monkey park.  It's on top of a modest-size mountain.  The hike alone is worth it, up a splendid trail through the forest which covers the entire mountain until you reach the summit.  On top you'll find over 200 monkeys, hanging out, looking for food handouts -- you can buy appropriate nutritional items from the park station -- doing what monkeys on public display typically do.  You are cautioned to NEVER look them squarely in the eyes, as they take that as confrontation, a sign that you are threatening and are ready for battle.

I've taken this advice and extended it to all my human interactions, especially with anyone in the West.  I never look them in the eye.  If they're American, they probably are armed to the teeth and that would be the end of John Rachel.  No more monkey sightings or even my characteristic monkey business.

Banana anyone?



[ This originated at the author's personal webpage . . . http://jdrachel.com ]





Life In Japan: Monkeys








Monday, October 22, 2018

Life In Japan: A Lost Wallet



Every year in October, we have here in Sasayama -- my hometown -- the Festival of the Portable Shrines.  It's one of my favorites!

It coincides with the black bean harvest.  Soybeans are called black beans because if they are left on the vine, they turn black and harden, making them easy to store and use over the coming year.
The town is famous over much of Japan for the quality of its black beans.  This means that the weekend of the festival, Sasayama is flooded with tourists.

A gentleman arrived here from Kobe, which is about an hour away.  He came to purchase black beans, but when the moment came to pay, he discovered his wallet was missing.

There are no pickpockets here, so obviously he had dropped it somewhere in town.

He went to the nearest Koban.  There are many here in Sasayama, as there are all over Japan.  A Koban is a mini-police station.  In the U.S. there is much lip service given to community policing, having friendly cops in the neighborhood to address problems which come up in the local area.  In Japan, it's a reality and an integral part of a functioning community.

The policeman on duty -- considering Kobans are, despite being extremely useful and efficient, very limited affairs, often just a two-room building with one parking space for a patrol car, there was probably only one or at the most two officers there -- took a report, then got on the phone.  He called all the other Kobans in the immediate area, anywhere close to where the gentleman had parked his car, then walked into the main part of town.

He passed along the man's name and a description of the wallet.

Now get this . . .

While he was on the phone with another Koban, someone walked in with the wallet and handed it to the policeman on duty there.

The gentleman from Kobe walked the short distance to the other Koban, and retrieved his wallet. 

The contents -- credit cards, ID, cash -- were intact.  Not a single item had been stolen.

I'm not going to moralize.  Draw your own conclusions.  Imagine dropping your wallet wherever you live and decide how the story would have ended.

I'll say it again . . . I love Japan!



[ This originated at the author's personal website . . . http://jdrachel.com ]


Life In Japan: A Lost Wallet








Saturday, July 28, 2018

Creativity: Two Existentialists Walk Into A Bar . . .



Professor Phyllis Dornberger – my PhD thesis adviser – and I certainly had our share of disagreements.  About everything.

I could have been intimidated.  I mean, here was a lady who read the dictionary on her lunch hour like it was People Magazine.

But I was confident and stood my ground, with naïve posturing that was equal parts youthful impudence and iconoclastic exuberance.

Dornberger was a logical positivist.  I'm an existential relativist.

It should have been no contest.

Indeed, it wasn’t.

Yes, in the end, she got the best of me.  The price for my impatience, my lack of self-control, my smug display of tactlessness, my colossal tactical faux pas in the requisite art of jockeying for advantage – which is really all philosophical discourse is about anyway – was asymmetrical in the extreme, with no room for negotiation, no room for remediation, no recourse or appeal.  Philosophers don’t mess around.  Especially logical positivists.

My comment was innocent enough.

But what floats frivolously in casual repartee bubbles like the caustic acid of vitriol and mockery on a
page – especially an intra-departmental memo.
What can I say in my defense?

Too much bubbly spirits is sometimes a good excuse.  But in this case, a roll of duct tape with the Kölsch pale ale would have helped to mitigate my infantile error in judgment.  Hindsight is so powerful but ultimately useless.

I now know . . .

I never should have called Professor Dornberger an insatiable proof sucker searching for the perfect syllogism, if only she could figure out how to deep throat a syllo.

Yes, this was the shameful closing scene of my career as a philosopher . . .





[ This originated at the author's personal website . . . http://jdrachel.com ]





Creativity: Two Existentialists Walk Into A Bar . . .








Thursday, July 26, 2018

Life In Japan: Western Arts – Part 2



This is a photograph of my wife, Masumi, at age 20 singing Il Bacio by Italian composer Luigi Arditi.  She has been singing opera all her life, plays beautiful classical piano, and dances ballet as a pastime.

I find it a fascinating question why Japan is so enamored with Western art forms, not that I've made any progress coming close to a conclusive answer.



Of course, Japan has always been an eclectic culture.  It has adopted much from the West, including English letters and words, integrated via Romanji, one of their alphabets.  Entire English words were Japanized and have become a part of the ever-evolving vocabulary, e.g. resutoran レストラン (restaurant), aisukurimu アイスクリーム (ice cream).  Going way back, certainly quite a bit has been "borrowed" from the Chinese, most notably, Kanji, another of the alphabets in everyday use.  And in the 19th Century, Japan replaced its cumbersome numbering system with Western Arabic integers.

All of this is the normal cross-pollination of cultures, which occurs when borders become more permeable, trade encouraged and opportunities for tourism pervasive.

Yet, there are some things that either don't translate well, resist integration, because they are simply entirely incompatible with established social traditions and cultural legacies.

Westerners are touchy-feely, given to open, sometimes histrionic expressions of emotion.  Japan is entirely the opposite.  I suspect it will always remain so.  A respect for privacy in both directions, each individual's large inviolable personal space, shyness and reserve, all are too thoroughly entrenched in the Japanese psyche.  Yes, they may dress like Westerners here, but you're not going to see chest-bumping or hugs and kisses at the mall, or simulated sex on the dance floor.  It's just not going to happen.  Bowing is about as wildly intimate as it gets in public.

That, of course, is an example of steadfast social training. 

But I would have suspected that another type of training would be just as determinant.  I'm referring to ear training.

The Japanese scales -- actually all Asian scales -- are microtonal.  When they don't sound randomly annoying, they sound intentionally grating, at least to my Western ears.  I'm just not used to hearing -- literally not trained to hear -- the two or three notes that purposely occur between C and C# or between E and F.  I'll admit that in my band days I was often accused of tuning my guitar microtonally but that was just a way of saying I had a really lousy sense of pitch.



Regardless of how much their melodies may torment us Westerners, Asians will swear by the beauty of the music they create and listen to.  Their ears are trained to hear, accept, embrace what sounds cosmically wrong to us.

At the same time, Western music and the fundaments for making it have gripped Japan.  And in every form: pop, rock, jazz, classical, blues, rap, hip hop.

Recognize that there are Western arts chauvinists who would say this is inevitable.  They will make a very convincing argument that Western scales are fundamentally superior, more accessible and natural to the homo sapiens physiological mechanisms involved in processing music.

There is a very appealing mathematics to the Western scale.  The 37th key on an 88-key piano is A.  It vibrates at 220 cycles per second (Hz).  The 49th key is also an A, but it's one octave above, vibrating at 440 Hz.  The 25th key is an A that's one octave below, vibrating at 110 Hz.  Nifty, eh?  This suggests the mathematical foundation underlying the tonal relationships among the notes of the Western 12-tone scale.  In fact, this holds together quite nicely until we get to the very bottom and top of the useful musical range.  The math has to be adjusted a bit.  Pianos tuned to mathematical perfection tend to sound sharp at the very top and bottom, requiring at the extremes that the scale be "stretched" to make the piano sound in tune to the human ear.  This is not a flaw in the mathematics.  It's a consequence of the physical properties of the strings of the piano, a stiffness which causes inharmonicity at the extremes.  Thus this need to "temper" the scale doesn't diminish the essential elegance of the theory.


Zeebra, a very popular hip hop artist here in Japan
(Click on pic to see a video.)

So as I say, it's easy for music experts in the West, the ones juxtaposing Fibonacci spiral graphs on the human cochlea, to posit the intrinsic superiority of a viola over a shamisen, an oboe over a hichiriki, or a flugel horn over a horagai, put in the service of playing the Sound of Music.

They may be right.  But the bottom line is there's really no way to objectively settle the matter.  An anecdotal aside:  I mentioned to my wife the other day that one of my English students sings Japanese folk songs to me.  The lady is very proud of her voice and the songs she had spent her life mastering.  My wife asked me if they were traditional or modern folk songs.  I didn't know there was a difference.  Turns out that traditional folk songs are the original microtonal versions.  Now there are modern versions of those folk songs which make the melodies fit the Western 12-note scale.  Think about that!  They take these amazing songs from time immemorial and update them -- literally Westernize them musically -- for the prevailing tastes of contemporary Japanese listeners.

This seems to suggest some greater inherent appeal in the mathematically-based music system of the West.  But I say it's just a sign of the times.  We have Burger King in Beijing, KFC in Kuala Lumpur, McDonald's in Moscow.  There are rappers and hip hop artists in every country that has electricity, except maybe Bhutan.

My wife, Masumi, of course continues to teach Westernized music to elementary students in a nearby community here in Japan, as part of the official school curriculum.  The kids play recorders, xylophones, accordions, keyboards, snares, bass drums, bongos, congas, and other percussion -- all instruments from the West. And since she still loves singing, she even gives an occasional vocal performance under the auspices of the vocal teacher she's studied with for three decades.  Usually she sings opera, though she occasionally helps me out on my original songs, in my informal home recording studio.

Here she is earlier this year in concert at a gathering in Osaka.



[ This originated at the author's personal website . . . http://jdrachel.com ]



Life In Japan: Western Arts – Part 2








Tuesday, July 10, 2018

Life In Japan: Western Arts – Pt 1


      Japanese Lady Gaga fans are slightly insane!

This is not going to be a formal or particularly thorough discussion of Western art forms here in Japan.  In fact, it'll be largely anecdotal but nevertheless I believe an accurate portrayal of the odd juxtaposition of the unambiguously Western art forms and styles on a culture with its own unique rich heritage, which not in the least resembles or had been influenced by Euro-America until Japan finally was "opened" to the West 165 years ago.  Significant Westernization occurred in two peak periods:  From 1868-1900 during the Meiji restoration, and from 1945 until the present following the Allied victory over Japan ending World War II.  This resulted in modern Japan, where Kibuki Theater and geishas co-exist with American-style pro wrestling and Japanese hip-hop.

My wife, Masumi, perfectly embodies the contradiction, though unlike most contradictions there are no discernible incompatibilities or anomalies.  'Contradiction' is really the wrong term.  Because all that is contradicted are my expectations.  I'll get to Masumi in Part 2, as she deserves an entire article of her own.

 

Long before I ever knew I'd be coming to and then settling in Japan, I received some early inklings about Japan's love affair with the West, meaning not just its superficial courtship of dress and hair styling, but its thorough embrace of both formal and pop arts.  

I was taking jazz dance classes at Debbie Reynolds Studios -- yes, that Debbie Reynolds -- in Los Angeles, and one summer a plane load of young Japanese jazz dancers (late teens, early twenties) packed the classes.  To put it mildly, I was amazed, stunned, awed!  Not only were they physically perfect as dancers -- slender; strong, sinewy muscles; elegant posture; each individually radiating grace and vigor, coupled with a charming shyness -- they could really dance!

I also wistfully recall one of my favorite dance teachers mentioning that he loved taking on guest teaching positions in Japan, because the students were so fiercely dedicated and disciplined.  When he'd return from such an assignment, he'd jokingly count off our dance routines in Japanese:  ichi, ni, san, yon!  While we thought that was pretty darn cute, I never gave it all that much thought.  Japan just wasn't on my radar screen back then.

At the same time, it was no secret that Western performers, in particular pop and rock acts -- everyone from the Beatles, Cindi Lauper, Santana, Carpenters, Michael Jackson, ABBA, Rolling Stones, and Avril Lavigne, to Ozzy Osborne and Bob Dylan -- loved playing Japan.  All reported that Japanese audiences were enthusiastic and they felt truly appreciated.

 

Get this:  Even jazz artists like Chick Corea, Art Blakey, Oscar Peterson, Sonny Clark, Miles Davis, Billie Holiday, Bill Evans, and John Coltrane had and often still have impressive fan bases in Japan.

Much more popular and widespread than jazz is classical music.  During my first full year in Japan, I was invited to attend a piano recital.  I don't know what that sounds like to you but I assumed it would be a bunch of cute kids fumbling their way through simple songs, their adoring parents taking videos for the grandparents.  Right.  Try concert-level Chopin, Mozart, Brahms, Beethoven.  And these were just high school students!  Turns out that studying piano from a very young age is pervasive here -- piano lessons with a focus on eventually mastering the legends, for example, those just mentioned.  Japan has, of course, already produced a number of widely-acclaimed, world-class musicians and composers, and believe it or not, Tokyo alone hosts "no fewer than eight full-size, full-time, fully professional orchestras, collectively providing more than 1,200 concerts a year."

Getting back to dance . . .

I've been a longstanding fan.  I saw my first ballet in high school.  Not only did I take some jazz classes for ten years starting in 1985, I even dabbled in both modern and ballet over the years.  The great ballet dancers like Baryshnikov, Nureyev, Fonteyn, Markova, have always fascinated me.

That being the case, about a year ago I became acquainted with a fellow who is not well known in the West, but in my opinion may be one of the best ballet dancers ever!  His name is Kumakawa Tetsuya.  Born in Hokkaido, Japan, he studied in England and became a principal dancer with the Royal Ballet, before returning to Japan to form his own ballet company.  Feast your eyes on a man who seems able to rewrite the laws of gravity . . .



. . . and make challenging moves breathtakingly beautiful and inhumanly effortless . . .



There are two Japanese ballerinas, who despite being in my opinion, among the best in the world, are not exactly741 household names in the West.

Kuranaga Misa . . .



. . . and Nakamura Shoko . . .



Pretty amazing, eh?

If there is an unspoken, but nonetheless dutifully-regarded and rigorously-observed rule in play governing just about every act, action, activity, ambition, and endeavor here, it's this:  Whatever the Japanese do, they do well.  They are maddening perfectionists.  Many would say this is why Japan was able to rebuild so quickly and totally after World War II, eventually becoming the world's third largest economy.  Others would attribute Japan's high suicide rate to the extreme pressures of high performance and achievement.

Both would be right.


[ This originated at the author's personal website . . . http://jdrachel.com ]



Life In Japan: Western Arts – Pt 1







 

Friday, July 6, 2018

Book Review: “The Russian Peace Threat: Pentagon on Alert” by Ron Ridenour


Ron Ridenour’s masterfully-written indictment of U.S. militarism and its take-all-prisoners imperial project is of such breathtaking scope and astonishing depth, it would be hard to exaggerate its value and timeliness, as the foreign policy of the Empire of Chaos now as never before in recorded history, steers the world toward apocalyptic confrontation and puts the survival of the entire human race at risk.

Those readers still in the embrace of the most toxic pile of propaganda ever assembled by a world power, that America is a force of good, spreading democracy, defending human rights, standing with the oppressed and marginalized, should have medics in the room with them to apply emergency procedures as the truth pours off the pages of this book.  Ridenour pulls no punches and with meticulous research and documentation, leaves little doubt that his narrative offers nothing less than the explicit and savage truth of over a century of exploits and exploitation.  We see brutal, barbaric, merciless application of military and economic power, with the clear and unambiguous goal of world domination — the U.S. as the ultimate empire blessed by God and history and the Fates, exempt from the rules of international law and judgment by anyone who would challenge it.  While the focus is Russia, this book covers a lot more ground, offering glimpses into many theaters of confrontation and conflict: China, Japan, Indonesia, Vietnam, of course the Middle East, as well as many countries in its more immediate sphere of influence, Central and South America.  With its 800+ bases currently sprawling across the planet, we’re hard-pressed to find anywhere where the heavy foot of American power does not exercise its self-serving prerogative.

Those readers who already are familiar with the scope of U.S. hypocrisy, who understand that behind the smiley face of official beneficence and goodness lies an agenda that serves a ruling elite at the expense of the vast number of everyday citizens, both inside the U.S. and out, will still benefit enormously from this book.  Much of it might constitute a refresher course, but I suspect many, myself included, will be pleasantly — or unpleasantly — rewarded with both disturbing factual knowledge and Ridenour’s fresh insights and analysis.  It may be for such readers “preaching to the choir” but I’ve never heard a choir that didn’t need to be tuned up from time to time.

Ridenour quotes “The Naked Human”, a poem written by Gustav Munch-Petersen.

I am only a human
but I shall one day
raise earth’s mountains
and let them shake
in the ears of those who sleep

I am only a human
but I shall one day
take the sun down from heaven
and light up all the dark holes
with merciless white light

I am only a human
but I shall one day
steal the gods lightning
and sweep the earth clean of dust

If I may do some metaphorical borrowing, I’d say that with The Russian Peace Threat: Pentagon on Alert Ron Ridenour has raised some mountains, taken the sun down from heaven, and stolen lightning from the gods.  Let’s hope his exceptional scholarship and writing wakes up some people, lights up the dark holes, and sweeps away the dust.
Our survival as a species depends on it.


[ This originated at the author's personal website . . . http://jdrachel.com ]



Book Review: “The Russian Peace Threat: Pentagon on Alert” by Ron Ridenour





Tuesday, June 26, 2018

Life In Japan: White Day



Japan is a gift-giving culture.  There are hardly any occasions for which it is not customary or at least acceptable to proffer a gift.  A visit, a lunch at someone's house, health issues, news of even the lightest import -- new pet, new home, new car, new set of dentures,  -- knitting socks, harvesting soybeans, a near traffic accident.  Yes, I had a lady almost hit me on my bicycle with her car -- she slammed on her brakes and literally stopped with her bumper against my pant leg -- track me down (not very hard since I'm the only elderly Westerner in the area with Rod Stewart hair), and leave a bag of eggplants on my porch.  Add this abundance of uniquely Japanese magnanimity to the conventional observances which most modern developed economies share and have duly exploited to nauseating levels of melodrama and sentimentality -- weddings, funerals, graduations,  anniversaries, birthdays, Christmas, Mother's Day, Father's Day -- means hefty dividends for anyone heavily invested in industries making gift-wrapping, ribbons and bows.

Amplifying the initial impetus for graciousness and generosity driving the whole gifting frenzy -- evidently hard-wired into Japanese people -- the act of giving a gift triggers a immediate, requisite response, a reciprocation in kind, the product of heart-felt appreciation for the original gesture:  The 'thank-you-for-the gift' gift.

"どうもありがとうございました!"  (Thank you so very much!)

"どういたしまして!"   (You are indeed very welcome!)



It is beyond any dispute:  If gift-giving were for some mysterious reason to suddenly come to a halt here, the entire Japanese economy would collapse within hours.

One month after Valentines Day in Japan -- meaning March 14th -- we have White Day.
White Day is the occasion for the guys to give to the girls sweet treats and other simple gifts, payback for bestowing on them piles of chocolate and other heart-shaped confections on February 14th.

Is it tit-for-tat?  Do guys at least for this simple, rather innocent holiday put their chauvinism on hold, do the expected thing by giving a thank-you-for-the gift' gift?

Some do.  Others ignore most of the girls who've been generous with them and just give a White Day treat to the one(s) they're interested in, as in viewing with something remotely resembling romantic interest.

Whatever the case, while diabetes is on the increase here in Japan, afflicting around 6% of the population, it still is ranks far behind the three leaders:  India, China, and the U.S.

Not that many people worry about the insulinary efficiency of their pancreas on either Valentines or White Day.  That would probably be true just about anywhere in the world.

Time for a Snickers bar, anyone?


[ This originated at the author's personal page . . . http://jdrachel.com ]



Life In Japan: White Day








Tuesday, June 12, 2018

Life In Japan: Valentines Day



日本の女の子たちはとても素敵です! 彼らは西洋で失われた無実を持っています。

Japan, like most Eastern cultures is very patriarchal, bordering on officially sanctioned misogyny.  I could go on and on about why this is so, despite the extreme Westernization and "modernization" of the country.  But it would be pure speculation.  Certainly, much of it is born out of deep and longstanding traditions generated during the tribalism of pre-history.  But I suspect the modern manifestation of male dominance imbedded in male-female relations is now more a product of extreme insecurity and a sense of inadequacy by boys and men -- collectively borne at a very sub-conscious level, of course -- than it is a reflection of the inheritance of rigorous structural societal norms.  This probably sounds like extremely superficial pop psychology, masking as a gracious critique.  But I'm hardly apologizing for what I observe might be vagina envy or something even more ridiculously unflattering and ultimately embarrassing or pernicious. 



Isn't there a homily that goes like this?:  We worship that which flatters us, love what we can dominate, ridicule what we find puzzling, lash out at what we don't understand, enslave and torment that which reminds us how pitiful and primitive we ultimately are.

They celebrate Valentines Day here -- it's a distinctly Japanese version of the love holiday -- which like everything else in the U.S. has been turned into just more marketing, churning out of kitsch, and indulging in commodified histrionics.  Pumping up the GDP is the only reason for anything and everything, after all.  They'll be putting a meter on my love muscle and collecting a surtax any day now.

Right in line with everything that goes on here, especially involving human interaction, there's a sweet innocence to Valentines Day, remindful of a time before my time and thus not something I can duly remember.  But think of Frank Capra movies and extrapolate.



It's innocent to be sure, but the guys are still in charge.  Yes, on Valentines Day, the guys in Japan just sit back and the girls pile it on -- chocolate, that is.  From what I can tell, none of the giving is based on hot passion, hot sex, hot anticipation.  Basically, the message is:  "I'm a girl and you're a boy and you're not all that bad."  Or maybe:  "I like you.  I think.  Call me maybe?"

As an English teacher, I got my share of Valentines chocolates from ladies of all ages.  Yes, I mean ALL ages.  From 7 years old to 60, 70, and beyond!

And all I was obligated to do was collect it, smile, say ありがとうございました (thank you so very much), then eat it at my convenience.



I almost felt guilty about all of the attention.

Then again . . .

There's a payback.  But it's very asymmetrical.  It happens exactly one month later.

March 14th is called White Day. 

Stay tuned.


[ This originated at the author's personal website . . . http://jdrachel.com ]



Life In Japan: Valentines Day








Monday, June 11, 2018

Book Review: “Healing the Land with Tao” by Gary Lindorff



“We are like quantum physicists, acknowledging that our presence, or our consciousness, can, and does change the reality of everything that we interact with. But poets and dreamers go way beyond that: We want to affect the great experiment. We go out of our way to change it because we yearn for it to succeed! … We have learned that when we look at the world, it looks back…. We have learned that when we step into the world, the energy of the world does more than just support us, it gathers ecstatically around our feet, it pulls and pushes us to interact and engage and feel.” - Gary Lindorff

I studied metaphysics as part of my degree program in philosophy.  Comparative religions, existentialism got some air time, with token nods to classical ancient philosophy, all of which added to a cornucopia of possible, if implausibly and highly impractical, world views.  In my youthful impatience, enamored as I was with post-modernism and the miraculous leaps of technology I was witnessing, I found this extremely distracting, in fact downright annoying, since they all borrowed much from the prevailing mythologies of long expired physical empires and intellectual traditions.  I judged that unfortunately, as building blocks for the formal architecture of Western thought, they ultimately lay a much too durable foundation for the centuries of cul-de-sac erudition and tedious sophistry which characterizes much of formal philosophical inquiry.

How could I be so dismissive?  Well, I was young and impressionable and fell in with a bad crowd, hence discovered the 20th Century tools which would undermine the entire basis for asking the “big questions”, a methodology which smugly rendered the entire pursuit of philosophical understanding henceforth a fool’s quest.  This was the suite of WMDs known among what I would now consider the anarchists of modern philosophy, the ordinary language analysis storm troopers.  These were the brash, anti-establishment butchers of speculative and normative traditions from Plato to Russell, Aristotle to Whitehead, Aquinas to Kant, Hegel, Hume, Locke, and Descartes.  All these silly old fools were targets of a faddish but no less galvanizing snideness and smug derision, they were the laughingstock of a rip-roaring dialectical rodeo, purveyors of the philosophical joke that went on too long, creators of reams and reams of mind-numbing argumentation and treatises, producing one punch line after another, an endless rolling carnival which had ultimately become dated and irrelevant and frankly not any longer very entertaining.

I was so cloistered in this cult that at university, I was totally unaware of Noam Chomsky’s political work.  He was merely a gateway drug for the work of J.L. Austin and Ludwig Wittgenstein, and their mechanistic mauling and demolition of philosophical problems using language analysis.  Talk about taking the creative excitement out of philosophy and turning it into a crossword puzzle or a good game of Scrabble!  But infantry soldiers don’t debate political systems.  They shoot to kill.

I eventually recovered.  Now I’ve settled into merely being a materialist.  That’s not ‘materialistic’.  I’m far from that, trust me. But I live and function primarily — we’re talking 99.9999% — in a material world. In my crucial formative years, science was with exponential leaps proving its potency.  Relativism — modulated by logical positivism — was the new black.  Empiricism won the day. Computers would eventually eliminate grey with the efficacy of binary.  Now the God Particle joins the other billiard balls on the cosmic pool table and blockchain is even redefining what money is.  I should regress to reading Tarot cards?  I didn’t in the least miss the rabbits foot I had lost as a boy.  Now I had a iPad.

Yep, I’m hooked.  Smitten.  Sold.  Even if it doesn’t produce a very charming death bed scene, I’ll go with science over seance.  Magic and miracles are for the desultory denialists and the leisurely lulled.

So . . .

This is what I brought to the game as I began to work my way through Healing the Land with Tao, looking for places to insert my toes and outcroppings for my fingertips, so I could begin the healing climb.  I wasn’t even sure I wanted to do this. Was there a view at the top?

But hallelujah!  Because Gary Lindorff is so lucid, his writing so accessible, much to my surprise and relief I found I didn’t need any special skills, footholds and finger-friendly features, much less safety nets or rappeling gear.

Frankly, the far-reaching explorations in this book arrive on their own terms, self-packaged, user-friendly, turnkey savvy.  Because the “things” in the nature of things are syllogistically and ultimately “personal” — if I can use such a mundane word — and whether we choose to ignore them or not, most of what he talks about constitutes with or without our acknowledgement, the entire foundation for that epic collection of experiences we call ‘life’.

There’s a great quote that sums up what I’m trying to say here.  It opens Chapter 5:

Where are we? We are in the middle world. Is it the same place for you as it is for me?”

This is fascinating on a number of levels.  The second question, of course, alludes to the essential epistemological quandary.

Yet in the framework of the Taoist perspective we are prompted to ask:  Despite all of the hand-wringing by philosophers that has transpired over the centuries over this, is this really something that needs to be resolved?  While it’s an intrinsic component — some might say consuming pathology — of Western intellectual tradition to leave no problem unsolved, no question unanswered, such obsessive-compulsive behavior has often produced more conceptual havoc, confusion and directionless daydreaming, than comforting, satisfying results.

Because if there is certainty about anything, it is about this:  Ultimately, this question is unsolvable and even modeling its unsolvability results in an incomprehensible formulation.  Such an overarching analysis may indeed be entirely correct.  But it still remains incomprehensible.  Such are the limitations of the human mind.  I think of my cat, who would prefer I ball up pages containing the mathematics of general relativity so he could chase them across our polished wood floor.  There’s an analog in that example that applies neatly to human beings, if we’re humble enough to admit it into our normally pompous, self-congratulatory view of ourselves, and embrace it for the peace of mind it ultimately could offer.  Real Buddhists get this.  Taoists too.

So I accept that the world that Gary Lindorff lives in and experiences is the same world I live in and experience, though I may not see and experience it that way.

Chapter 5 ends with this:

 The tonal is something we all share; nothing can be gained by brushing it aside unless it has become dangerous and toxic to our well-being. It is the great collective dream that grounds us, it is the ‘here’ we call home. But one’s experience of the nagual – that is unique.”

When discussing a couplet by Basho, Lindorff again delves into the impenetrable nature of perceptual ambiguities:

“It is as if an ineffable fragrance were rising from the couplet and quietly flowing on. . . . This mysterious fragrance reminds us that nobody experiences anything exactly the same. It is ineffable because it is indefinable, and we don’t want to define it, as then we are trying to objectify or package it.”

Oh how we objectify and package — and with vile insensitivity commodify — everything now.  Supposedly nothing should be left to chance or interpretation.  What kind of out-of-control world would it be were human imagination to run free, the boundaries of quantization and digitization penetrated and pierced by purity of spirit and innocence of intention?

Oh yes! Sheer chaos!  (Or so my university mentors would scream.)

I’m trapped between dualities which shouldn’t — maybe don’t — a priori exist.

My flippant gravitas says I should walk the straight and narrow, gaze unwavering as I walk the rigid dialectic plank of logical positivism.  Admittedly, this is harsh irony for someone who doesn’t just like to get outside the box, but thrives on turning back on it and dousing it with napalm.  On the other hand, my quixotic side indeed prompts me to appreciate such poetic and abstruse musings as we find in Healing the Land with Tao, attaching to them gracious vindication for the ontological bipolarity that has engulfed me over the years — oh forgive me, all who’ve endured my ponderous pontifications and apocalyptic opuses — to abandon cold cynicism and surrender to the seduction of mysteries I cannot access, much less comprehend and resolve: Just leap and learn to fly.  Or embrace the certainty of gravity in a world so anxious and insecure behind its mask of arrogant stolidity.

After all . . .

Who am I to look a gift horse in the mouth?  How humbling it truly is to peer into Gary Lindorff’s world, to vicariously — perhaps several layers removed — share with him a reality to which I’m deaf and blind, therefore rendered too myopic and mute to intelligently analyze and discuss.

Then again . . .

Why should I be so gracious?  Shouldn’t I just snarl and sneer, make some snarky aside, and get on with the business of living amongst vertically-mobile beings armed with smart phones, steadily making improvements on self-driving cars, taking selfies — soon to be in 3-D? — and dumping them into the streaming deluge of irrelevance which keeps most of us so amazed with ourselves that we no longer have a need to appreciate a flower, a tree, a sunset, a smile, a child, an invisible voice whispering words of wisdom and warning, comfort and distress, light and dark, yin and yang?  A voice as lucid as it is inscrutable, as certain as it is ambiguous and suspect, as candid as it is taciturn?

Gary Lindorff can hear the voices in the wind, the secret histories of the trees, the song in the earth, all that fulfills the promise of that entire universe created in Seven Days, so one trending mythology would have it.

Words.  Are we talking about enchantment . . . delusion . . . fantasy . . . actualization . . . transubstantiation . . . an alchemy that transforms the soul, an amalgamation?  Does the right word make any difference?

Here’s a word which is not, cannot, nor should it ever be resolved, fixed or finalized: Possible.

That alludes to the essential reward to me personally for reading this fine work by Gary Lindorff.

As a logical positivist, an empiricist, a pragmatist, I can only be grateful that these afflictions have not entirely closed me off to what is possible.

Because isn’t possibility that vast expanse into which we grow as humans, becoming gradually, irreversibly what we never imagined we could become?

Gary writes:

“Lucidity is the ability to enter into consciousness as a dimension.”

What does that mean?  Does it mean the same to you as it does to me?

Can we know?  Can we prove that knowing is some end-all, even necessary?  Some questions will never be answered.  At the same time, some answers may be orphaned, bereft of questions.  We may already have all of the answers.  We may have too many answers.  The world the human mind fashions is brimming with answers.  Some sing.  Some dance.  Some just quietly inform all that we experience.

“Let me suggest that a masterful haiku is a super-metaphor. We are given what we need to make the leap. When we encounter a super-metaphor in a poem or as a poem (whether by Rilke, Basho or Emily Dickinson) it reboots our imagination, tricking the brain into taking a leap of faith from what it already knows to what the soul knows, and this benefits the brain in the same way that advanced yoga benefits the body. If we are lucky, that experience is ecstatic.”

Intentionally or not, Gary Lindorff has created a loosely structured operating manual for the soul.

We’ll all get different messages and meanings.  We will benefit disproportionately.  I’m admittedly not very well-prepared for a work of such spiritual depth and profundity, such bold, a priori, ecstatic leaps.  My materialist world view puts the best aspects of that collection of energy that is John Rachel, in solitary confinement.  The food is pretty lousy in here, the walls are gun-metal gray, and I don’t get much to read.  But if I could choose only one book to help break the chains of my mental and spiritual incarceration, it would be Healing the Land with Tao.

In a word, Gary Lindorff’s book is brilliant.  It made an honest man out of a logical positivist like me.

How is that for the healing power of the Tao?



[ This originated at the author's personal website . . . http://jdrachel.com ]





Book Review: “Healing the Land with Tao” by Gary Lindorff






Wednesday, April 4, 2018

Life In Japan: Arthur the Celebrity Cat



As a novelist, satirist, essayist, political blogger, and someone who has not gotten beyond the I-want-my-oompa-loompa stage of human development, to say I crave attention is a vast understatement.

Of course I live in Japan, so while I continue my lifelong efforts to become a household name in America, I consider recognition here an important part of building my legend. Plus I've long been a believer that any press is good press, anywhere on the planet.

I can't say I'm making much headway.  I've tried countless ways to breach the media firewall that keeps me hidden from the Japanese public eye.  A while ago I tried burning down the largest wooden Buddha in Japan.  I couldn't get the damn thing lit.  Once I tried dressing up as a geisha.  All that happened was I got a lot of very strange looks and one comment from a young school boy in a baseball uniform -- その醜い女性を見てください。-- which my wife, Masumi, said basically translates as: "Look at that ugly woman."

I even entered an octopus eating contest and came in last!  But not before I started to hallucinate giant sea cucumbers dancing across the stage like an entire chorus line of Rockettes had turned into wart-infested pickles.

Yes, I've tried everything except running through the center of town dressed as a samurai, carrying a bamboo pole wrapped with flaming kelp leaves, while yelling, 'The Emperor has no oompa-loompa.'  I ruled that out when I found out he doesn't.

My most recent humiliation occurred the other day, early one morning. 

We still get a newspaper delivered to our house every day -- can you believe it? made of paper no less? -- which mentions one or two major news stories but mostly focuses on news from around our prefecture -- which is the equivalent of a state in the U.S.  Many human interest stories, local sports teams, city and school district events.

But . . .

There it was!  A brief mention to be sure, but no less humbling.

My cat upstaged me by getting in the news!

Now I love Arthur to pieces.  And I have no doubt he deserves any and all the great press he can get.  But let's be honest.  He didn't do a thing to deserve this.  He's just so cute, an old guy like me, regardless of how many books I write, web sites I put up, despite how funny I am, or "politically aware", how can I compete?  Let's be blunt:  I don't stand a canary's chance in a cat cafe.
O
kay.  Okay.  I sound like I'm bitter.  I'm not.  I'm so proud of Arthur!  If anything, I'm wondering why they didn't put him on the front page and do an exclusive feature story on the little guy, including an interview and a link to video footage of him being so darn cute!

At the same time . . .

That still leaves me in a quandary.  What do I have to do to get some press around here?  Dress up like an American soldier and fly an Osprey into the Tokyo Tower?


[ This originated at author's personal webpage . . . http://jdrachel.com ]




Life In Japan: Arthur the Celebrity Cat








Tuesday, January 30, 2018

Life In Japan: Bicycle Theft

 
This is your basic girls bike here in Japan.

Yes, they sell Schwinn, an "American" bicycle, manufactured of course in China.  But there is quite a selection based on this standard model.  They cost between $50 and $150.  The pictured one is pretty fancy.  Pink adds at least $50 to the sale price.

I'm going to talk about something which recently happened here, not that far from where I live, maybe within four hours driving.  I seriously doubt if the bike involved was anywhere near as high-end as the pink beauty pictured.  But it certainly looked something like this, being a basic boilerplate ride-to-school-and-back bike.  They're ubiquitous here.

It's EXTREMELY rare.  But a girl who lived in Shikoku had her bike stolen.

She reported it to the police.  Seriously . . . she did!  That's what you do in Japan.

It's not as far-fetched as it sounds.  All bikes must have a registration tag.  A couple years back, I was riding my bike back from the grocery store and a young police officer on a motor scooter stopped me, looked at my tag, thanked me, and drove merrily away.

Anyway, a month later, the school girl got a call from a police department northeast of Osaka.  They had found her bike, and wanted to get it back to her.  The young lady was understandably very happy!  She told the police that she had an aunt who lived in Akashi.  If they could arrange to bring the bike there, she could pick it up.

The police welcomed the suggestion.  They were much closer to Akashi than the little town the girl lived in on Shikoku Island.

Next day, they personally delivered the bike to the girl's aunt in Akashi, a trip which took nearly two hours each way, a total of almost four hours of their valuable police time.

I want to put this in perspective, especially the distances involved.  Here's a map.




Mind you, while Shikoku is sparsely populated, the entire area around Osaka is quite congested.  Two hours is not excessive, considering traffic, having to locate the aunt's residence, etc.  And to return it to the girl's home town would have been close to four hours each way.

The most significant point is that the bike turned up 219 km (136 miles by car) from where it was stolen.  The police officers at this distant location tracked down the owner via the ID tag, and personally made sure the bike got back to her.

I don't know if this is blowing your mind or not.  I've lived here on and off for over ten years and this type of thing still leaves me slack-jawed.

Granted, in a small town like Elizaville, Indiana or Wanblee, South Dakota, I can imagine someone telling the sheriff about a stolen bike.  But for most Americans -- over 80% live in urban areas -- the thought of going to the police about a stolen bike seems absurd.

"You want to report a what?  Listen, buster.  While you've been standing here teary-eyed, telling me about your $50 bike, we've had two shootings, three car jackings, some bozo dressed like Michael Jackson jumped off a bridge singing 'Beat It', and there's a 152-car traffic pile-up on the freeway because some idiot at the Department of Transportation posted a warning on all the traffic advisory signs that there was a missile carrying a hydrogen bomb incoming from North Korea.  Get a job and buy a new bike, loser!"

It's obvious, priorities are different here in Japan.  We're not in a constant frenzy, in a constant state of paranoia, convinced there are terrorists lurking in every doorway and child molesters hanging out by the monkey bars at every city park, suspicious of every individual who isn't suspicious of everyone else because obviously this person is out of touch with reality and a clear danger to the community.  People here aren't armed to the teeth, such that everyone's worried about a mass shooting, or that a minor disagreement about a parking space will result in the barrel of an AR-15 being shoved down our throat.

But it goes even deeper than that.  There's an innocence here, and a sense of honor and courtesy, a respect for the possessions of others.  So much so that a bicycle theft is truly out-of-the-ordinary.  And thus it warrants extraordinary response by the authorities.

No country is perfect.  Japan has many issues as well.  There is still a difficult struggle with its past, its military aggression and savagery.  There is racism.  There is a bit of arrogance, a condescending attitude toward other Asian countries.  There is -- in my opinion -- a mindless, unnecessary obeisance to the U.S. in military and diplomatic matters, and a puzzling infatuation with Western culture, especially American pop culture.

No country is perfect.  But some are certainly far superior than others.

I take great comfort in knowing . . . I don't have to worry about my bike.




[ This originated at the author's personal website . . . http://jdrachel.com ]



Life In Japan: Bicycle Theft




Monday, January 29, 2018

Life In Japan: New Years

 

It hasn't been that long. 

Of course I remember the typical New Years holiday celebrations in the U.S.!

The shots of Buttery Nipples, Afterburners, and White Gummy Bears, the beer chugging contests, DUIs, the streaking of police patrol cars, mooning at McDonald's drive-thru, the totaled rental cars, 72-hour hangovers, the arrest warrants, getting herpes from kissing some stranger at midnight, the Rose Parade, lying in the den in a puke-soaked Kurt Cobain sweat shirt through 12 hours of football -- Rose Bowl, Cotton Bowl, Orange Bowl, Tangerine Bowl, Toilet Bowl, Oxycontin Bowl.

It's impossible to overstate how different New Years is for me here in Japan.

Granted, there might be some revelry in the big cities like Osaka and Tokyo.  Compared to what typically goes on in America, even these are more like Thursday afternoon bingo in Butte, Montana or octogenarian shuffleboard in Sun City, Florida.

Fasten your seat belts, people, to keep from falling off your chair when you nod off reading this.  A pot of hearty espresso is recommended if you're serious about making it to the end.

New Years Eve day, Masumi, her daughter Azusa, and I, climbed a mountain I've written about twice before.  It looks like a mountain but it's really not that high.  It has steps and trails, so we left the GPS, emergency flares, ropes, and rappelling gear at home.  What I like about it, besides offering a decent work out, a couple hours in nature, and splendid views of the valley which contains most of my home town, Sasayama, is that by bike it's only about five minutes from my house.  It couldn't be more convenient.

This time, we also brought Azusa's Black Labrador puppy too.  We all headed over -- Azusa on foot, Masumi and I on our bikes -- to the trail head, which is situated right in front of a small shrine.  Of course!  Shrines are as ubiquitous here as fire hydrants are in the States.   Anyway, about 45 minutes later, we were on top the small mountain, had a picnic lunch, then returned on the same trail.

It was cool but comfortable, perfect for this relatively easy hike.  However, as we made our way back down, the temperature started quickly dropping.  And continued dropping right into the evening.



Masumi and I had the option of visiting the grounds of a local temple to "ring in the New Year".  They have a No Theater performance, a bonfire, and serve free non-alcoholic sake.  This is a real family affair for all ages.

But we decided it was just too damn cold!

So we stayed home, falling asleep before midnight.  We missed the tofu cannons, whale juggling, sky diving ninjas, and laser holograms of Godzilla eating the Moon.  This was prudent.  We needed to rest up for the next wild and dazzling phase of our extended weekend, Land of the Rising Sun New Years extravaganza, set for next morning.

That would be at べんてん神社 (Benten Shrine), the Shinto shrine which belongs to our village.  We live on the very east end of Sasayama proper, in a village called Noma.  Each village of several in our city of 50,000 or so typically has its own shrine and community center.  Living in Japan is about community life and getting to know your neighbors. 

The motif at the shrine was similar to what we missed at the big temple downtown the previous evening.  There was a small bonfire, free kelp and squid snacks, and sake.  This sake was the real stuff but only dispensed in thimblefuls, so no one exactly got rowdy.

This being a shrine and to the rather meager extent that Japanese indulge in religious services, there was singing.  Mind you, this bore no resemblance to Handel's Hallelujah chorus or a medley of tent revival spirituals.  In fact, what we apparently were singing was the national anthem, which is why my lovely, principled wife was not singing along.  She is categorically and staunchly opposed to nationalism, even superficial celebrations of what has not served humankind very well over its blood-soaked history.  Which explains why I had to burn all of my American flag Hanes boxer shorts right after we got married.

Of course, anyone who knows me knows that I am joking.  All of my American flag undies were long gone decades ago.  I believe they were used as rags to stuff Molotov cocktails at some street protests in Berkeley back in the late 60s.  I can't say for sure.  It's difficult to track where things end up after you drop them in a Salvation Army collection box.

Let me add that Masumi thought the idea of singing the national anthem on this special occasion was very strange, a total anomaly.  Somebody certainly made a very odd choice.  Personally, I found it to be a rather doleful affair, not the stuff of conquest and plunder.

Anyway, here's a very short video clip of my neighbors singing at the shrine.


Okay . . .

Enough is never enough, especially when it comes to wild abandon and revelry.  Sure, we were exhausted from all the whoopee.  But driven by relentless surges of hedonism and the insatiable urge to party like its 2099, as soon as we got home we decided to go to Kaibara, the town both near to where Masumi grew up and where we officially got married.

柏原八幡宮 (Hachiman Shrine) is a beautiful place at the top of a hill.  It maybe takes ten minutes to walk up the stairs.

People step to the front of a shrine, make a contribution, sometimes light incense, ring a very dissonant, clanking bell to get the attention of whoever might be listening, then make an appeal for some improvement in their lives -- new husband, better job, health, long life, happiness, money -- the usual things.  They also write these requests on pieces of paper and tie them to a tree on the grounds.

Whew!  Wild and crazy times here in Japan, eh?  We know how to party!
Personally, I find this all very calming, informal, charming, especially since I mercilessly was subjected to the tortures of the Catholic Mass for way too many years.  What can I say?  Buddhism and Shintoism rock!

I'll end this account on what I find an interesting note.  While there is some god, a spirit entity, associated with each shrine -- our local shrine described above is in dedicated to Benten, goddess of art, music, literature, especially appropriate for Masumi and I -- the Japanese, and most Asian people, especially Buddhists, don't pray to a specific god, saint, angel, virgin.  At least not the way Christians do.  The Catholic Church has a precise org chart for all of its holy representatives.  St. Christopher was assigned assuring safe travel, St. Anthony unobstructed breathing passages.  Then there was the Virgin Mary, who had what could only be called a cult following of her own, rivaling that of Jesus, who of course was the Savior, source of salvation.  Asians just send their prayers out, as Masumi tried to patiently explain to me.  Buddhists are very much into flooding outer space with prayers. 

 

You may find this interesting.  When you visit Buddhist monasteries, you see prayer wheels, hundreds of them, all different sizes, from ones which could fit in a bowling bag to ones that are taller than a human.  Each prayer wheel contains hundreds -- sometimes even thousands! -- of sacred inscriptions from holy Buddhist texts.  Again we have appeals for peace, harmony, long life, etc.  Spinning a prayer wheel, it is claimed, sends these good messages out into the universe, inundating it with the highest spiritual content and aspirations. 

While from what I can tell, it's not working, it's most certainly an admirable enterprise, and so different from the Western framework of a person's relationship with God and his heavenly ecclesiastical staff.  Take a moment and picture those televangelists, furrowed brows sweating, faces bulging with the power of the Lord, yelling:  "You want that new car?  You want your bills paid?  You want that ugly goiter to disappear?  To be able to sing along with Mariah Carey and slam dunk like the Shaq?  Well, just put your hands on your television screen!  I say, put 'em both right here on my face, and FEEL THE POWER OF THE LORD FILL YOUR LIFE with money, success, happiness!  Ask and ye shall receive!  PRAISE GOD!"

Just something to think about next year during half-time of the Rose Bowl.




 [ To see all of the photos, go to author's personal website . . . http://jdrachel.com ]



Life In Japan: New Years

Tuesday, January 2, 2018

A Simple Straight-Forward Message for a Complex Convoluted Time



I think there should be eleven Commandments.

The existing ten should all slide down a notch to make room for a new, necessary First Commandment.

1st Commandment:  When it comes to others who embrace beliefs different than yours, thou shalt shut up and mind your own business.

I was raised strict Catholic from the late 1940s until July 1961.  I attended Catholic school for six years.  The indoctrination was mind-boggling -- literally!  I'm not sure where things stand now.  Allegedly the Catholic Church has made some giant leaps forward.  I find the word 'leap' a little hard to swallow.  After all, it took them over 300 years to pardon that wildly insane heretic Galileo for declaring that the sun was at the center of the solar system.  It's too late for his family to sue.

What I was taught, with no room for interpretation or even the slightest bending of the rules, was that Catholics were true believers, everyone else was a pagan and would burn mercilessly in Hell for it.  This obviously included jungle-dwelling savages with the bones through their noses, anyone with slanted eyes, hairy-chested men on horses who raped and pillaged without pause, witches, witch-doctors, probably acupuncturists.  But it also referred to -- brace yourselves -- all Jews and Protestants! 

Talk about being exclusive.  The Catholic Church didn't mess around!

I left that all behind.  I remember the moment well.  Both of my parents were dead.  I was attending a Catholic mass, summer of 1961.  I tried to listen to what the priest was saying.  I looked around.  People were staring at the altar.  The priest droned on, something about the Holy Spirit.  I was 15 and scared to death by a fear of eternal damnation -- something which was pounded into my head day-after-day, year-after-year by both priests and nuns -- afraid as only a thoroughly brainwashed young man can be, to do anything at odds with the Church or God or the Commandments.  But then suddenly, like that perennial bolt of lightning, it hit me:  None of this made any sense to me anymore.  I walked out and never looked back.  To this day, I've never again attended a Catholic mass or Catholic service of any kind, for over 56 years now.

I can look at religion now the way someone might look at photos in their high school year book.  
Hmm . . . French Club . . . Junior Varsity Football Team . . . Mr. Hunter, chemistry.

When three years ago I wrote the song posted at the head of this rambling monograph, I tried to include Sikhs, Hindus, Buddhists, and so on.  But it's just a song.  There's only so much room without turning the whole thing into a random game of Scrabble.  So . . .

I settled on Christianity, Judaism, Islam, and then gave a nod to atheism in one line.

I hear we're now in the throes of a new "Clash of Civilizations".  This refers to a war for hearts, minds, and oil fields, mainly between the Christian West and the Muslim Middle East.  The Jews are in there, since they are allegedly under siege by the Muslims, and they now have a marriage of convenience with the Christians -- which is about as convenient as a marriage between a crocodile and a chicken, and makes about as much sense.

First of all, there's nothing "new" about this epic show down.  Haven't any of these idiotic champions of chaos and carnage shilling for this conflict ever heard of the Crusades?

Second, while I can buy "clash", which seems to be the operating word in just about every interaction between the Western powers and everyone else on the planet, "civilizations" somehow makes me think about "civil" and "civilized".  Neither apply to those participants who have by choice, with full knowledge, by design, with clear intention, have brought the human species and every other living thing on the planet to the brink of extinction.

One has to ask:  Is this the best we as a product of twisted fibers of DNA and RNA can do?  Are we doomed by some kamikaze gene?  Do we periodically have to self-destruct, tear it all down?  Why do we bother with claiming it's about ideologies or religions or politics?

Because it's not.  It's about hatred.  It's about selfishness.  It's about evil, either inherent or manufactured evil.

It's about either the evil we are, the evil we've become, or the evil that we allow to exist in our hearts and our minds.

What's my song about?  It's so simple, so naive, so straightforward, so easy to understand.  Maybe that's what makes it so difficult to take into our hearts, try to weave it in with those strands of DNA and RNA, let it become an antidote to the madness that drives us to reject and demonize others, that allows us to dehumanize those who are different, that feeds our inflated sense of importance, our "exceptionalism", our grandiosity and rabid delusions of superiority, our ultimately self-destructive rejection of our shared humanity.

Happy New Year!  Yes, we're starting a new cycle.  365 days to do what?

Maybe the whole idea is just silly.

Peace be with us . . .

Then again, you decide for yourself.  That's actually the idea.

Assuming you've gotten this far, here are the lyrics to my song, performed in the video by my extremely talented wife and myself, a simple straightforward message for a complex convoluted time.

It’s a very special time of year
For family and friends holiday cheer
For those no longer with us
We shed a tear
A time to share
A time of feast
A time to care
And pray for peace
A time to give to those
Who have the least

(Chorus)
Merry Christmas
Happy Hanukkah
Peace be with us
Happy New Year!

This is the time to start anew
Atheist Christian Muslim Jew
To reach within
And find the love inside of you
Discard the old seek out the new
Reject the false embrace the true
To look ahead decide
To bring out the best in you

(Chorus)
Merry Christmas
Happy Hanukkah
Peace be with us
Happy New Year!

(Chorus – Japanese)
Akemashite
Omedetoo
Peace be with you
Happy New Year!

(Chorus)
Merry Christmas
Happy Hanukkah
Peace be with you
Happy New Year!


[ This originated at the author's personal website . . . http://jdrachel.com ]



A Simple Straight-Forward Message for a Complex Convoluted Time